Episode 32 - Mirjam Wiekenkamp - “Abusey Junction”
Photo Credit: Delphine Millet
[Image Description: Mirjam, a white woman with shoulder-length red hair, sits inside in front of a dark background with white marks. Her head is turned slightly to the side and she wears a white buttoned-up top with a collar.]
In this episode, I speak with the publicist and one of the founders of NOISE Film PR, Mirjam Wiekenkamp. During our conversation, we get into her publicist origin story, some of the differences between PR firms in the US and Europe, the unique ways a publicist can position documentary films in the European documentary festival landscape, and how publicist and impact producers can often build upon and support one another’s work on behalf of a filmmaker. Mirjam and NOISE Film PR are representing several films at DOKLeipzig and IDFA that are part of the Steps’ Generation Africa program. To celebrate these young filmmakers from the Continent, this week’s song is Kokoroko’s “Abusey Junction.” KOKOROKO (meaning 'be strong' in Urhobo), are a collective of young musicians brought together by a love for Afrobeat led by trumpeter Sheila Maurice-Grey. They specialize in a soul-shaking, horn fuelled sound with West African roots and inner London hues. “Abusey Junction” is a ballad written by guitarist Oscar Jerome. It was written on the roof of a compound in Gambia where the band spent time last year immersing themselves in the soundscapes of the region.
Episode 30 - Ina Fichman - “Hallelujah”
Photo Credit: Ina Fichman
[Image Description: Ina is pictured from the neck up. She has shoulder-length dirty blond hair and wears a white v-neck top with a black jacket. She wears gold and diamond earrings and a gold necklace with black and gold accents.]
In this episode, I speak with Canadian producer extraordinaire, Ina Fichman. During our conversation, we chat the nuts, bolts, and knowledge needed to be a great international co-production partner, her work with the Documentary Organization of Canada, and the specific steps the organization took to ease some of the stress of pandemic for Canadian filmmakers. We also discuss some of her most recent work on the films such as Laila at the Bridge, Stray, and The Gig Is Up, and her ongoing support of Palestinian filmmakers. For this episode, Ina chose a masterpiece written by her fellow Canadian Leonard Cohen, “Hallelujah.” Regarding the meaning of the song, Leonard Cohen said:
“This world is full of conflicts and full of things that cannot be reconciled. But there are moments when we can… reconcile and embrace the whole mess, and that’s what I mean by ‘Hallelujah’.
The song explains that many kinds of hallelujahs do exist, and all the perfect and broken hallelujahs have equal value. It’s a desire to affirm my faith in life, not in some formal religious way but with enthusiasm, with emotion.”
When one looks at Ina’s body of work, it is clear that documentary is the medium she has chosen to find meaning and reconcile the many contradictions that we face in life.
Episode 28 - Adam Benzine - “What's Happening Brother”
Photo Credit: Alison Boulier
[Image Description: Adam is pictured from the torso up. He wears a dark-colored long-sleeved sweater over a light-colored button-down shirt. He holds a white mug in his hands just beneath his chin. He gazes to the left. The photo is in B&W.]
n this episode, I speak with Oscar-Nominated, United Kingdom-born, and Canada-based filmmaker Adam Benzine. During the episode, we chat about his career in journalism, his move to Canada, his critically acclaimed work, Claude Lanzmann: Spectres of the Shoah, and his latest documentary project, The Curve, which is about the first 90-days of the COVID-19 pandemic in the United States. Because in so many ways the battles we are facing now so closely resemble those are parents and grandparents fought in the past, this episode’s song is Marvin Gaye’s timeless classic, “What’s Happening Brother.” Adam specifically connects to the following lyrics from the song, “When will people start gettin' together again? Are things really gettin' better, like the newspaper said? What else is new my friend? Besides what I read. Can't find no work, can't find no job, my friend. Money is tighter than it's ever been. Say, man, I just don't understand What's going on across this land.” Our conversation was recorded in July 2021.
Episode 24 - Abby Sun - “I Want to Break Free”
Photo Credit: the DocYard, Leah Astore
[Image Description: B&W photo. Abby stands on stage holding a microphone and book in front of an audience of onlookers in an auditorium. She wears dark shoes and a dark dress. There are two chairs and a screen behind her.]
In this episode, I speak with curator, Abby Sun about her work with the DocYard, an award-winning film and discussion series at the Brattle Theatre in Cambridge. We also chat about her work with Distribution Advocates, an organization committed to demystifying and transparency in distribution with the goal of creating a more ethical and equitable framework. Because ethical and equitable practices are rooted in liberation and require us to take actions that break us from the things that seem safe and stable, this episode’s song is Queen’s “I Want to Break Free.”